http://www.dionstar.co.uk Dion Star Studio Fri, 09 Mar 2012 11:10:10 +0000 http://www.dionstar.co.uk en http://www.dionstar.co.uk/Graphic-Design-Pilgrimage-2010 http://www.dionstar.co.uk/following/dionstar.co.uk/Graphic-Design-Pilgrimage-2010 Fri, 09 Mar 2012 11:10:10 +0000 Dion Star Studio 2970132 A graphic design pilgrimage to Amsterdam & the Graphic Design Festival Breda (GDFB) in 2010. http://www.dionstar.co.uk/Happy-Christmas-Film http://www.dionstar.co.uk/following/dionstar.co.uk/Happy-Christmas-Film Tue, 10 Jan 2012 15:10:38 +0000 Dion Star Studio 2469233 <img src="http://payload8.cargocollective.com/1/0/11441/2469233/happyxmas_01_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload8.cargocollective.com/1/0/11441/2469233/happyxmas_01_o.jpg" data-mid="16794141" border="0" align="left"/> Poster for Happy Christmas Film. _ An interwoven seaside hymn to gift-wrapped promises and unwanted presence. Tweetwindow.___gcfg = {lang: 'en-GB'};(function() {var po = document.createElement('script'); po.type = 'text/javascript'; po.async = true;po.src = 'https://apis.google.com/js/plusone.js';var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(po, s);})(); http://www.dionstar.co.uk/Asparagus http://www.dionstar.co.uk/following/dionstar.co.uk/Asparagus Tue, 05 Jul 2011 13:27:35 +0000 Dion Star Studio 1551738 <img src="http://payload.cargocollective.com/1/0/11441/1551738/Test_crop_-127_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1551738/Test_crop_-127_o.jpg" data-mid="16431285" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1551738/Test_crop_-148_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1551738/Test_crop_-148_o.jpg" data-mid="16431292" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1551738/Test_crop_-156_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1551738/Test_crop_-156_o.jpg" data-mid="16431004" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1551738/Test_crop_-129_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1551738/Test_crop_-129_o.jpg" data-mid="16431287" border="0" align="left"/> A raunchy poem using found words and borrowed type from; adverts, packaging and promotions for - and interviews about - asparagus from the 1920s to the modern day. A collaboration with Clare Howdle for 26 Flavours of Cornwall*. _ Oh sparrowgrass, Sweet river maid, Oh yes! It’s a delight, to go down deep, To please milady. We’re wet, surely a-flush, This air of stiffness, This sensory power. We mustn’t let it go too far. Spring up, Put up, you King-o-hearts, Stimulate tender freshness, On my pantry shelf. You go very well, I’ll take what comes, Nor need you ever hesitate, Joy bountiful! Crown me, my dear, Lead the way, Plunge succulent spears, Tips and long, Your skilled touch, Enthusiastically welcome, Two or three days in a row; Back breaking. Eat. Eat. Eat. Gosh. We grow the best. _ *26 Flavours of Cornwall paired 26 writers with 26 designers, matched each team with an item of Cornish produce and challenged them to come up with pieces of art that combine words and design in the form of paper table-settings. The exhibition is at Trebah Garden every day from Friday 1 July to Tuesday 26 July. Organised by the national writers’ association 26, working with the Cornwall Design Forum and University College Falmouth. Clare blogged about the 'Asparagus team' here, and you can order an A2 print here. window.___gcfg = {lang: 'en-GB'};(function() {var po = document.createElement('script'); po.type = 'text/javascript'; po.async = true;po.src = 'https://apis.google.com/js/plusone.js';var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(po, s);})(); http://www.dionstar.co.uk/Ceci-N-est-Pas-Une-Manifeste http://www.dionstar.co.uk/following/dionstar.co.uk/Ceci-N-est-Pas-Une-Manifeste Wed, 13 Apr 2011 09:27:58 +0000 Dion Star Studio 1303208 <img src="http://payload.cargocollective.com/1/0/11441/1303208/ManifestoCrop_01_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1303208/ManifestoCrop_01_o.jpg" data-mid="16795875" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303208/ManifestoCrop_02_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1303208/ManifestoCrop_02_o.jpg" data-mid="16795881" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_01_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_01_o.jpg" data-mid="16795849" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_02_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_02_o.jpg" data-mid="16795851" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_03_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_03_o.jpg" data-mid="16795853" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_04_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_04_o.jpg" data-mid="16795855" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_05_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_05_o.jpg" data-mid="16795857" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_06_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_06_o.jpg" data-mid="16795861" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_07_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_07_o.jpg" data-mid="16795866" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_08_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1303208/manifesto_08_o.jpg" data-mid="16795869" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303208/ManifestoCrop_03_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1303208/ManifestoCrop_03_o.jpg" data-mid="16795885" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303208/ManifestoCrop_04_905.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/11441/1303208/ManifestoCrop_04_o.jpg" data-mid="16795891" border="0" align="left"/> Research project on Design Direction. This is not a Man­i­festo, it is a state­ment of intent. It is not about what I have done, it is about what I pro­pose to do. After all, my inten­tions are far more inter­est­ing than my achieve­ments to date. I don’t need a busi­ness card for what I’ve already done, but I need one for what I want to do. My Design Direc­tion is moti­vated by pur­pose, oppo­si­tion & self-initiated reform. Com­pren­hen­sive & appropriate. _ Be an Artist, Designer & Scientist The spheres of Art, Design & Science are all concerned with trying to make sense of the world around us. Design could be described as being halfway between Art & Science. At the end of the 19th century these spheres were much closer together. It was in the early period of the 20th century, with industrialisation and political upheaval, that saw many key representatives of the avant-garde position themselves away from the sphere of art, in favour of various pragmatic forms of design. Over the course of the following hundred years these spheres pulled further apart. We need to pull them back together. It is human nature to try to understand what is around us. Our curiosity is our primary driver. Art & Science are interrelated because they both have the capacity to improve the world. By bringing them closer together we not only increase our understanding but by allowing them to react with each other we also increase our ability to succeed. Designers need to be good observers, as Design relies on cultural references, therefore it is vital for designers to open up their horizons. If you only look at one sphere then your output will always result in the very same thing. It is important to continually move your points of reference. ‘Is it Art or is it Design? The thing called creativity cuts right through that argument.’ Gordon Young _ Define the purpose Art’s role is sometimes defined simply as 'raising a question', whereas the role of design is seen to be to provide answers. When viewed as just a problem solver, the designer is not in a position to define the purpose. Only by creating new opportunities or initiating projects can a designer reposition themselves away from working in accordance with commission. 'Practice has shown that the work of true artistic worth can be created only when the artist sets his own objective (the internal social commission).' El Lissitzky _ Think comprehensively We can characterize the way people think using these terms borrowed from evolutionary biology, you are either a lumper or a splitter. Lumpers will tend to look at a problem holistically while splitters try to pick apart the smallest detail. There is no right or wrong way, it is possible to make breakthroughs in our understanding of the world either way. However if you do not know which one you are, it is probably a good idea to work it out. Being a lumper is about joining the dots and thinking comprehensively, this is the type of thinking that exists between the spheres of Art & Science. 'I refuse to treat diverse subjects as specialized areas of investigation, because it inhibits my ability to think intuitively, independently, and comprehensively.’ Buckminster Fuller _ Use all modes of expression Human Intelligence begins with conception; it is our prime mental activity. A concept is only fixed when it is embodied in a symbol, It is the culmination in some form of symbolic expression that we as designers need to understand and explore. We must learn the various modes of expression ie; language, myth, audible, artistic, mathematical etc. It is in the difference between the concept and the symbol that we find the grey area, this difference is where we find the poetry. ‘The magic of the concept and the charm of the real.’ Jean Baudrillard _ window.___gcfg = {lang: 'en-GB'};(function() {var po = document.createElement('script'); po.type = 'text/javascript'; po.async = true;po.src = 'https://apis.google.com/js/plusone.js';var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(po, s);})(); http://www.dionstar.co.uk/Big-Idea http://www.dionstar.co.uk/following/dionstar.co.uk/Big-Idea Wed, 13 Apr 2011 09:14:08 +0000 Dion Star Studio 1303297 <img src="http://payload.cargocollective.com/1/0/11441/1303297/idea_close_1_905.jpg" width="900" height="598" width_o="900" height_o="598" src_o="http://payload.cargocollective.com/1/0/11441/1303297/idea_close_1_o.jpg" data-mid="15122488" border="0" align="left"/> Cen­tre spread instal­la­tion for issue 64 of Ben­za­noe Mag­a­zine. Part of my final MA project. “The Idea is made vis­i­ble through the Craft.” <img src="http://payload.cargocollective.com/1/0/11441/1303297/idea_close.jpg" width="510" height="339" width_o="510" height_o="339" src_o="http://payload.cargocollective.com/1/0/11441/1303297/idea_close_o.jpg" data-mid="6315067" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303297/BZ64_IDEA.jpg" width="510" height="360" width_o="510" height_o="360" src_o="http://payload.cargocollective.com/1/0/11441/1303297/BZ64_IDEA_o.jpg" data-mid="6315073" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303297/idea_wide.jpg" width="510" height="339" width_o="510" height_o="339" src_o="http://payload.cargocollective.com/1/0/11441/1303297/idea_wide_o.jpg" data-mid="6315074" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303297/idea_spread.png" width="640" height="360" width_o="640" height_o="360" src_o="http://payload.cargocollective.com/1/0/11441/1303297/idea_spread_o.png" data-mid="9883347" border="0" align="left"/> window.___gcfg = {lang: 'en-GB'};(function() {var po = document.createElement('script'); po.type = 'text/javascript'; po.async = true;po.src = 'https://apis.google.com/js/plusone.js';var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(po, s);})(); http://www.dionstar.co.uk/The-Design-Process http://www.dionstar.co.uk/following/dionstar.co.uk/The-Design-Process Wed, 13 Apr 2011 09:04:56 +0000 Dion Star Studio 1303289 “Sim­pli­fi­ca­tion, ie. dia­grams, cor­rupts our think­ing…” Mat Hunter — Design Coun­cil. Part of an ongoing study. Here; after a year of attempting to redefine the design process, the resulting diagrams were taken from my notebook and simplified even further by removing the words. <img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_05.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_05_o.jpg" data-mid="6314990" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_01.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_01_o.jpg" data-mid="6314986" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_02.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_02_o.jpg" data-mid="6314987" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_03.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_03_o.jpg" data-mid="6314988" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_04.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_04_o.jpg" data-mid="6314989" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_06.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_06_o.jpg" data-mid="6314991" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_07.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_07_o.jpg" data-mid="6314992" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_08.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_08_o.jpg" data-mid="6314993" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_09.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_09_o.jpg" data-mid="6314994" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_10.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_10_o.jpg" data-mid="6314995" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_11.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_11_o.jpg" data-mid="6314996" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_12.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_12_o.jpg" data-mid="6314997" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_13.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_13_o.jpg" data-mid="6314998" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_14.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_14_o.jpg" data-mid="6315000" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_15.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_15_o.jpg" data-mid="6315001" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_16.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_16_o.jpg" data-mid="6315002" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_17.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_17_o.jpg" data-mid="6315003" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_18.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_18_o.jpg" data-mid="6315004" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_19.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_19_o.jpg" data-mid="6315005" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_20.jpg" width="425" height="325" width_o="425" height_o="325" src_o="http://payload.cargocollective.com/1/0/11441/1303289/designprocess_20_o.jpg" data-mid="6315006" border="0" align="left"/> window.___gcfg = {lang: 'en-GB'};(function() {var po = document.createElement('script'); po.type = 'text/javascript'; po.async = true;po.src = 'https://apis.google.com/js/plusone.js';var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(po, s);})(); http://www.dionstar.co.uk/Prelude-To-A-Broken-Back http://www.dionstar.co.uk/following/dionstar.co.uk/Prelude-To-A-Broken-Back Wed, 13 Apr 2011 08:52:27 +0000 Dion Star Studio 1303256 <img src="http://payload.cargocollective.com/1/0/11441/1303256/CornishShovel.JPG" width="670" height="502" width_o="2048" height_o="1536" src_o="http://payload.cargocollective.com/1/0/11441/1303256/CornishShovel_o.JPG" data-mid="6314851" border="0" align="left"/> Corn­wall Design Sea­son, a 9 week, multi-site cel­e­bra­tion of Cor­nish cre­ativ­ity and inge­nu­ity. The spine of which is an exhi­bi­tion of Cor­nish design sto­ries, inter­preted as an instal­la­tion by an artist or designer in fif­teen dif­fer­ent ship­ping con­tain­ers through­out Cornwall. I was given the story of the Cor­nish Shovel to bring to life. Nom­i­nated by: Paul Mas­ters, Assis­tant Chief Exec­u­tive, Corn­wall Coun­cil Exhi­bi­tion designed by: Dion Star Loca­tion: Car­bis Bay Beach, St Ives / 19 Feb – 2 Apr A Libra, a Lur­gan, a Cardi­gan, and a Pasty. These names are all asso­ci­ated with a design more com­monly recog­nised as the Cor­nish Shovel. This hum­ble tool’s sim­ple but life-changingly effi­cient design has made hard phys­i­cal labour that much more bear­able – from 18th-century mines to 21st cen­tury gardens. What­ever you wish to call it, this device was devel­oped in the early 1700s to help Cor­nish min­ers dig in cramped con­di­tions with min­i­mal back-lift. Unlike the unfor­giv­ing Eng­lish Spade, the Cor­nish Shovel spared unnec­es­sary back strain – its long, arc­ing han­dle and pointed head allowed the user to dig and twist the shovel, loos­en­ing the rock or soil while keep­ing an upright pos­ture and pro­vid­ing enough lever­age to prise open the hard, rocky ground min­ers had to dig through. As Cor­nish min­ers migrated in the mid-19th cen­tury, escap­ing mining’s decline at home and fol­low­ing the min­eral bounty in the New World, so their supe­rior shov­els joined them and their rep­u­ta­tion spread. Sto­ries tell of min­ers using their Cor­nish Shov­els as makeshift oven trays to hold over camp­fires, as well as impromptu pasty-flinging com­pe­ti­tions with their shov­els in their spare time. Whether this is true or not is up for debate, but one thing is for sure – their cre­ation has made dig­ging a whole lot less painful for dozens of gen­er­a­tions of peo­ple. Gar­den­ers the world over will be nod­ding their heads. Story writ­ten by: Stranger Col­lec­tive <img src="http://payload.cargocollective.com/1/0/11441/1303256/brokenback_1.jpg" width="640" height="427" width_o="640" height_o="427" src_o="http://payload.cargocollective.com/1/0/11441/1303256/brokenback_1_o.jpg" data-mid="6343517" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303256/brokenback_2.jpg" width="640" height="427" width_o="640" height_o="427" src_o="http://payload.cargocollective.com/1/0/11441/1303256/brokenback_2_o.jpg" data-mid="6343518" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303256/brokenback_3.jpg" width="640" height="427" width_o="640" height_o="427" src_o="http://payload.cargocollective.com/1/0/11441/1303256/brokenback_3_o.jpg" data-mid="6343519" border="0" align="left"/> Photos 2, 3 & 4 courtesy of Katrina Aleksa Tweetwindow.___gcfg = {lang: 'en-GB'};(function() {var po = document.createElement('script'); po.type = 'text/javascript'; po.async = true;po.src = 'https://apis.google.com/js/plusone.js';var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(po, s);})(); http://www.dionstar.co.uk/Hand-Rendered-Type http://www.dionstar.co.uk/following/dionstar.co.uk/Hand-Rendered-Type Wed, 13 Apr 2011 08:44:38 +0000 Dion Star Studio 1303243 The Making of Benzanoe 64 The intro­duc­tion page required the type to be hand drawn directly onto the wall. With a lit­tle help from some friends — includ­ing a mon­u­men­tal effort from Mat Mcivor (chap with cap & glasses) — I set about the task with a pro­jec­tor, some posca pens & plenty of elbow grease. <img src="http://payload.cargocollective.com/1/0/11441/1303243/BZ64_intro.jpg" width="466" height="310" width_o="466" height_o="310" src_o="http://payload.cargocollective.com/1/0/11441/1303243/BZ64_intro_o.jpg" data-mid="6314807" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303243/BZ64_intro-page.jpg" width="466" height="310" width_o="466" height_o="310" src_o="http://payload.cargocollective.com/1/0/11441/1303243/BZ64_intro-page_o.jpg" data-mid="6314801" border="0" align="left"/> “The printed arti­fact always car­ries with it belief; under­pinned by a his­toric and cul­tural rela­tionship between print and truth. Issue 64 deals directly with this con­cept through a series of instal­la­tions, rep­re­sent­ing the pages of the mag­a­zine. The con­tent is deliv­ered through play­ing with per­spec­tive, per­cep­tion, res­o­lu­tion, view point and production.“ http://www.dionstar.co.uk/Benzanoe-Magazine-64 http://www.dionstar.co.uk/following/dionstar.co.uk/Benzanoe-Magazine-64 Wed, 13 Apr 2011 08:37:29 +0000 Dion Star Studio 1303228 Issue 64: Graphic Dasein* What does intangible look like? “The printed artifact always carries with it belief; under pinned by a historic and cultural relationship between print and truth. Issue 64 deals directly with this concept through a series of installations, representing the pages of the magazine. The content is delivered through playing with perspective, perception, resolution, view point and production.“ <img src="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_cover.jpg" width="466" height="702" width_o="466" height_o="702" src_o="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_cover_o.jpg" data-mid="6314732" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_back.jpg" width="466" height="702" width_o="466" height_o="702" src_o="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_back_o.jpg" data-mid="6314731" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_GraphicDasein.jpg" width="466" height="310" width_o="466" height_o="310" src_o="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_GraphicDasein_o.jpg" data-mid="6314734" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_idea2.jpg" width="466" height="310" width_o="466" height_o="310" src_o="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_idea2_o.jpg" data-mid="6314737" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_idea3.jpg" width="466" height="310" width_o="466" height_o="310" src_o="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_idea3_o.jpg" data-mid="6314739" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_intro.jpg" width="466" height="310" width_o="466" height_o="310" src_o="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_intro_o.jpg" data-mid="6314741" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_max.jpg" width="466" height="702" width_o="466" height_o="702" src_o="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_max_o.jpg" data-mid="6314742" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_poss.jpg" width="466" height="310" width_o="466" height_o="310" src_o="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_poss_o.jpg" data-mid="6314743" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_present.jpg" width="466" height="661" width_o="466" height_o="661" src_o="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_present_o.jpg" data-mid="6314745" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_truth.jpg" width="466" height="310" width_o="466" height_o="310" src_o="http://payload.cargocollective.com/1/0/11441/1303228/BZ64_truth_o.jpg" data-mid="6314747" border="0" align="left"/> window.___gcfg = {lang: 'en-GB'};(function() {var po = document.createElement('script'); po.type = 'text/javascript'; po.async = true;po.src = 'https://apis.google.com/js/plusone.js';var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(po, s);})(); http://www.dionstar.co.uk/Benzanoe-Magazine-63 http://www.dionstar.co.uk/following/dionstar.co.uk/Benzanoe-Magazine-63 Wed, 13 Apr 2011 08:28:31 +0000 Dion Star Studio 1303212 Issue #63. (Dreams) do not exist in the moment. (They) yearn for a future. Contributors: Mark Jenkin, John Kerrison, Anna Maria Murphy, Callum Mitchell, Jane Pugh, Steve Tanner & Sally Rodgers. <img src="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_1.jpg" width="400" height="267" width_o="400" height_o="267" src_o="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_1_o.jpg" data-mid="6314650" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_2-3.jpg" width="400" height="267" width_o="400" height_o="267" src_o="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_2-3_o.jpg" data-mid="6314651" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_4-5.jpg" width="400" height="267" width_o="400" height_o="267" src_o="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_4-5_o.jpg" data-mid="6314652" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_6-7.jpg" width="400" height="267" width_o="400" height_o="267" src_o="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_6-7_o.jpg" data-mid="6314653" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_8-9.jpg" width="400" height="267" width_o="400" height_o="267" src_o="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_8-9_o.jpg" data-mid="6314654" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_10-11.jpg" width="400" height="267" width_o="400" height_o="267" src_o="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_10-11_o.jpg" data-mid="6314655" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_12.jpg" width="400" height="267" width_o="400" height_o="267" src_o="http://payload.cargocollective.com/1/0/11441/1303212/BZ63_12_o.jpg" data-mid="6314657" border="0" align="left"/> window.___gcfg = {lang: 'en-GB'};(function() {var po = document.createElement('script'); po.type = 'text/javascript'; po.async = true;po.src = 'https://apis.google.com/js/plusone.js';var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(po, s);})();